Showing posts with label Captain America. Show all posts
Showing posts with label Captain America. Show all posts

Monday, 16 January 2017

Marvel Holiday Special 1991/1992/1993/1994/1996, The Howard the Duck! Holiday Special (1997) # 1


(I originally read these comics in late December 2016)

I'm surprised it took so long for Marvel to start putting out an annual 'holiday' special. Up till then, their Christmas stories had been but sporadic offerings in their regular mags, with three 'Holiday Grab-Bag' Treasury Editions in the '70s, though those were mostly reprint. There are informative text pieces detailing the history of these offerings in the first two specials.




The 1991 special features Yuletide tales with the X-Men, Fantastic Four, the Punisher, Thor, Captain America, Ghost Rider, Captain Ultra (?) and Spider-Man. Walt Simonson's Fantastic Four tale is the best, with Franklin Richards encountering a certain chain-rattling, Dickensian spectre, and it has the benefit of Art Adams art... adams.

After Art Adams' cover, Michael Golden's vividly-coloured art is the highlight of the 1992 special. That's allied to a wordless Larry Hama 'story' (and I use the word in its loosest sense) that would seem to want to say something about the equal vividness of children's imagination, but really says nothing. There's a comedic Doc Samson tale from Peter David in which he tries to tell the story of Hannukkah to a classroom of kids but has to think on his feet to retain their interest. The New Warriors, Punisher, Thanos, Iron Man and Spidey stories just fill up pages, but Ann Nocenti's Daredevil story at least tries something different as it's narrated by a toy lamb just purchased by Matt Murdock as a gift. I'd say it's better than it sounds, but it ain't.




The Christmas 1993 issue (labelled '1994') has Nocenti and Tom Grindberg reunite for a Ghost Rider tale which seems to suggest inducing a heart attack in your elderly mother is justifiable if she's an unremitting nag. (I might try it.) There are more lousy tales with Spidey and Captain Ultra (seriously, who the fuck is this guy?), but the Nick Fury and Hulk stories are worth reading. Ultimately, art overshadows story in Howard Chaykin's stylish effort, and the Hulk confronting a would-be suicide with some tough love is better read within the context of Peter David's contemporaneous run (here, for example).

The actual 1994 special leads with an X-Men story by Kurt Busiek and James Fry, a combination that might have worked on Elvira (see here) but which seems ill-suited this time. That said, it's marginally the best story of a weak selection featuring Captain America, the Thing, the Silver Surfer and the X-Men (again) in an illustrated take on 'The Night Before Christmas'. The Thing story just reads oddly now, a decade or more after Ben Grimm was established as a Jew, as he tries to educate a cynical, little Jewish girl as to the true meaning of Christmas.

After a year's hiatus, the 1996 special kicks off with a fairly amusing tale by Mark Waid and Pat Olliffe where Spider-Man and J. Jonah Jameson are forced to spend Christmas evening together. Back-ups include stories with the Silver Surfer, the Rawhide Kid and the X-Men, but it's the Kitty Pryde tale, mawkish though it is, that gets the runner-up prize.


  


The Howard the Duck Holiday Special by Larry Hama and Pasqual Ferry is pretty... fowl. In it, Howard, his human lady Beverly and an army of department store Santas are rounded up into a makeshift army to foil a hostile takeover of Santa's workshop by HYDRA. Ferry's "art" is typical, eye-searing '90s crap and Hama's script is supposed to be funny - I think. 




Stories from the Marvel Holiday Special 1992 are collected in:

Softcover:
The Silver Surfer: Rebirth of Thanos (US, First Edition)
The Silver Surfer: Rebirth of Thanos (UK, First Edition)
(No current Amazon links)

The Hulk story from the Marvel Holiday Special 1993 is collected in:

Softcover:



Friday, 23 December 2016

Captain America (1968) # 261-300, The Defenders (1972) # 106/107, Marvel Fanfare (1982) # 31/32, Marvel Team-Up (1972) # 128, The Falcon (1983) # 1-4


(I originally read these comics in early/late October 2016)

Picking up what I've long considered to be the J.M. DeMatteis/Mike Zeck run of Captain America after long intending to, I came to discover that's a misnomer. They first combine to good effect in issue # 261, but it's not till later, perhaps # 270, that they start to gel and produce anything very memorable with the introduction of Cap's boyhood friend, Arnie Roth. Once the weakling Steve Rogers' protector, he's now just a tubby, balding schlub whose best years are behind him. You know, like the rest of us. (He's also a 'gay' - but don't whisper it too loudly.) Roth's a worthy addition to Cap's supporting cast, which for a change is quite fleshed out here. In particular, Steve has a romance with neighbour Bernie Rosenthal on the go that experiences its ups and downs when she declares her love for him before he's ready to do the same and also when she finally twigs to his secret identity.

The unstable creative team means the earlier part of DeMatteis' run is littered with fill-in stories by Dave Kraft, though he maintains a decent standard. Issue # 275 memorably introduces Baron Helmut Zemo, son of Cap's wartime nemesis and future Thunderbolt. Rat-man Vermin, now best remembered from 'Kraven's Last Hunt', debuts in # 272. Viper makes a worthwhile return and the writer resurrects forgotten rogue the Scarecrow with some success; less so the Porcupine. The most significant return is that of Jack Monroe, the 1950s Bucky, who after being resuscitated after a long period in suspended animation much like Cap himself, becomes his new crime-fighting partner, Nomad. Issues 286-288 conclude the future saga of cyborg, Deathlok (reviewed in full here). 


   
   
   
   
   
   
   
  
  

   


DeMatteis' run begins to rumble towards its conclusion as early as # 290 with the debut of Mother Superior, the Red Skull's daughter, though with a pleasing fill-in from Bill Mantlo and an on-form Herb Trimpe in # 291. DeMatteis indulges in some bleeding heart white guilt in # 292 and attempts to make a virtue of pacifism in # 293. In this story, Cap berates Nomad for punching out an armed felon. Let's just repeat that: Cap berates Nomad for punching out an armed bank robber (a "mixed-up kid") WHO WAS POINTING A GUN AT HIM. Oh, well. I guess it was asking too much for DeMatteis to rein in his moronic hippy tendencies forever.

It's around this point my interest started to wane. Paul Neary is not an adequate replacement for Mike Zeck (and he draws some particularly lousy women's faces). The overlong return of, and supposedly final battle with, the Red Skull meanders for too long and proves to be more than a bit anticlimactic. 


   
   
   

 


The annuals produced during this period are all below par. The later two-issue story in Marvel Fanfare, probably originally intended for DeMatteis' run on Marvel Team-Up, is enjoyable, but then I always did have an inexplicable fondness for guest star, Frog Man. 

One of Marvel's first limited series appeared in 1983, starring Cap's high-flying, sometime-partner the Falcon. It's routine stuff by Jim Owsley (latterly Christopher Priest), Paul Smith and Mark Bright, with Sam Wilson confronting gang-bangers, battling Electro and ending with a kidnapped Ronald Reagan being lectured as to how tough life is in "da hood." Good grief...


As an extra, here's Mike Zeck's cover art for the 1993 trade paperback, 'Captain America: Deathlok Lives'.




Captain America (1968) # 261-266 and Captain America Annual # 5 are collected in:

Softcover:

Captain America (1968) # 261-263 are collected in:

Softcover:

Captain America (1968) # 268 and The Defenders (1972) # 106/107 are collected in:

Softcover:

The back-up strips from Captain America (1968) # 276-278 and The Falcon (1983) # 1-4 are collected in:

Softcover:

Captain America (1968) # 280 is collected in:

Softcover:

Captain America (1968) # 286-268 are collected in:

Hardcover:

Softcover:

Captain America (1968) # 290-300 are collected in:

Softcover: