Showing posts with label Len Wein. Show all posts
Showing posts with label Len Wein. Show all posts

Saturday, 31 December 2016

Marvel Spotlight (1971) # 2-4, Werewolf by Night (1972) # 1-19, Giant-Size Creatures (1974) # 1, Tomb of Dracula (1972) # 18


(I originally read these comics in late November 2016)

The Werewolf was the first of Marvel's takes on the traditional horror characters in February 1972, in the pages of Marvel Spotlight # 2.

On her deathbed, eighteen year-old Jack Russell's mother reveals that, far from being a wholesome California kid, he's actually the son of a long-deceased European nobleman and that he's now inherited his father's curse of werewolfism. Under his new, hairy guise he battles and kills the family chauffeur, the man guilty of causing the accident that killed his mother. However, he's helpless to kill the one who designated this grim task - his own stepfather. 


   
   
   
   
   
   


I'll update this entry with better scans when they're available. For now, these are about the best I can find.


The origin story is by Roy and Jeanie Thomas but from there it's Gerry Conway (who's long had a fascination with werewolves), Len Wein and, yes, Marv Wolfman who take up the baton. Jack encounters a succession of stock horror characters during his early adventures including witches, hunchbacked henchmen, the reincarnation of a mad monk and a crooked swami, etc. Having graduated to his own comic, there's the first appearance in issue # 10 of what will prove to be a recurring threat in the Committee, an "organisation of businessmen and financiers, its purpose is to revive our flagging economy... by any means possible, legal or criminal." (Hey, it makes more sense than anything from Paul Krugman.) The minimal supporting cast comes in the shape of Jack's lithesome, younger sister Lissa (who may also stand to inherit the werewolf curse) and middle-aged reporter Buck Cowan. When Marv Wolfman comes aboard as writer with issue # 11, he immediately has Jack settle into his own bachelor pad, presumably because there's a lot of downtime between full moons and his nocturnal rampages. This expands the cast by introducing neighbours composed of two sexy airheads and one brusque gentleman who may have secrets of his own. In that same issue comes the closest thing so far to a costumed super-villain in the scythe-wielding shape of the Hangman, who comes across like a twisted parody of a Ditko hero. Jack's father's association with the mystical book of the Darkhold comes back to haunt him with an encounter with the sorcerer Taboo and his beautiful familiar Topaz in issues 13 and 14. Topaz hereafter becomes Jack's girlfriend, his previous one having shown her face previously only to be immediately forgotten. Wolfman also makes the effort to exonerate Russell's stepfather of any culpability in his wife's death in issue # 14, though whether this is early revisionism or whether it was planned this way from the start is hard to discern. Following this, there's a two-part crossover with the Tomb of Dracula, in which secrets of Jack's Transylvanian lineage are further revealed. The decision to narrate the stories in the first person betrays its limitations when Jack recounts events he wasn't privy to, with captions along the lines of, "I was told later this is what happened..." Groan. The team-up with Tigra in Giant-Size Chillers # 1 is dreadful, but historically important in that it's the comic where Greer Nelson first assumes her furry alias. 

Werewolf by Night is consistently entertaining if you venture in with expectations low. A tendency towards goofy, '70s occultism certainly helps. Artistically, it's mostly well served by the Eisner-esque stylings of Mike Ploog, making his professional comics debut (though inker Frank Bolle absolutely murders his pencils in issue 6), Tom Sutton and Gil Kane, who definitely draws the scariest, most feral-looking version of our furry protagonist. The combined 'efforts' of Werner Roth and Paul Reinman in issue # 8 are abject hackery, and from issue # 17 onwards it's Don Perlin ushering in a dark age of artistic mediocrity.


Marvel Spotlight (1971) # 2-4, Werewolf by Night (1972) # 1-19, Tomb of Dracula (1972) # 18 and Giant-Size Creatures (1974) # 1 are collected in:

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Werewolf by Night (1972) # 1 is collected in:

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Werewolf by Night (1972) # 15 and Tomb of Dracula (1972) # 18 are collected in:

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Giant-Size Creatures (1974) # 1 is collected in:

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Sunday, 30 October 2016

Dick Tracy (1990) # 1-3, Plastic Man 80-Page Giant (2004), Shazam! and the Shazam Family! Annual # 1 (2002), The Punisher Movie Special (1990)


(I originally read these comics in early March 2016)

Finally acquired a copy of Dick Tracy # 3 last week, after years looking for it. The first two issues are a prequel to the Warren Beatty movie about the tough, gun-toting police detective by John Francis Moore, the third an adaptation by Len Wein. It's good stuff and all the famous baddies - Flattop, Pruneface, etc, show up. The art's the big draw here, though. Kyle Baker does a typically great job and colours his work with what looks like ink, crayons and chalk. It's very loose and cartoony and might not be to all tastes, but I loved it.


  


Next up, two treats from DC in the shape of an 80-Page Giant and an 80-Page Giant by any other name, done in retro style. The Plastic Man one has the origin tales of "Plas" and sidekick Woozy Winks by creator Jack Cole, but is too weighted towards later, inferior material from the '60s onwards. I question the wisdom of including a crappy 'Dial H for Hero' strip in which the protagonist Robby Reed uses his "magic dial" to turn into Plastic Man for only the final four pages out of a sixteen-page story. 


 


The Shazam one is better, with material dating from between 1942-'45 only. However, reading eighty pages of Golden Age fare in one stretch is a bit wearing as no matter how charming the material is, it's still very much kids' stuff. Still, it's head and shoulders above much GA stuff I've read and it's no wonder Captain Marvel was the wartime best seller, even over Superman. 




Finally, the adaptation of the underrated 1989 Punisher flick I watched a few months back. It's lacklustre and looks like Brent Anderson knocked the art out in a week. Given that there's no effort made to match the actors' likenesses (least of all Dolph Lundgren's), I have to wonder if he'd even seen the film. Still, it does rectify one of the movie's missteps and has Frank Castle don the famous skull shirt before the end.


Dick Tracy (1990) # 1-3 are collected in:

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Wednesday, 21 September 2016

Deadman in DC Special Series (1977) # 8, Adventure Comics (1938) # 459-466, DC Comics Presents (1978) # 24


(I originally read these comics in late July 2015)

Yes, I do read DC occasionally! 

The bulk of the Deadman run in Adventure Comics is by Len Wein and are pretty good. I think he's an underrated writer. I don't have much to say beyond that, though, as I chose to read this grouping of comics before I made a habit of writing reviews. I've no doubt I'll revisit them at some point, though.


  
   


DC Special Series (1977) # 8, Adventure Comics (1938) # 459-466 and DC Comics Presents (1978) # 24 are collected in:

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DC Comics Presents (1978) # 24 is collected in:

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