Showing posts with label Roy Thomas. Show all posts
Showing posts with label Roy Thomas. Show all posts

Saturday, 31 December 2016

Marvel Spotlight (1971) # 2-4, Werewolf by Night (1972) # 1-19, Giant-Size Creatures (1974) # 1, Tomb of Dracula (1972) # 18


(I originally read these comics in late November 2016)

The Werewolf was the first of Marvel's takes on the traditional horror characters in February 1972, in the pages of Marvel Spotlight # 2.

On her deathbed, eighteen year-old Jack Russell's mother reveals that, far from being a wholesome California kid, he's actually the son of a long-deceased European nobleman and that he's now inherited his father's curse of werewolfism. Under his new, hairy guise he battles and kills the family chauffeur, the man guilty of causing the accident that killed his mother. However, he's helpless to kill the one who designated this grim task - his own stepfather. 


   
   
   
   
   
   


I'll update this entry with better scans when they're available. For now, these are about the best I can find.


The origin story is by Roy and Jeanie Thomas but from there it's Gerry Conway (who's long had a fascination with werewolves), Len Wein and, yes, Marv Wolfman who take up the baton. Jack encounters a succession of stock horror characters during his early adventures including witches, hunchbacked henchmen, the reincarnation of a mad monk and a crooked swami, etc. Having graduated to his own comic, there's the first appearance in issue # 10 of what will prove to be a recurring threat in the Committee, an "organisation of businessmen and financiers, its purpose is to revive our flagging economy... by any means possible, legal or criminal." (Hey, it makes more sense than anything from Paul Krugman.) The minimal supporting cast comes in the shape of Jack's lithesome, younger sister Lissa (who may also stand to inherit the werewolf curse) and middle-aged reporter Buck Cowan. When Marv Wolfman comes aboard as writer with issue # 11, he immediately has Jack settle into his own bachelor pad, presumably because there's a lot of downtime between full moons and his nocturnal rampages. This expands the cast by introducing neighbours composed of two sexy airheads and one brusque gentleman who may have secrets of his own. In that same issue comes the closest thing so far to a costumed super-villain in the scythe-wielding shape of the Hangman, who comes across like a twisted parody of a Ditko hero. Jack's father's association with the mystical book of the Darkhold comes back to haunt him with an encounter with the sorcerer Taboo and his beautiful familiar Topaz in issues 13 and 14. Topaz hereafter becomes Jack's girlfriend, his previous one having shown her face previously only to be immediately forgotten. Wolfman also makes the effort to exonerate Russell's stepfather of any culpability in his wife's death in issue # 14, though whether this is early revisionism or whether it was planned this way from the start is hard to discern. Following this, there's a two-part crossover with the Tomb of Dracula, in which secrets of Jack's Transylvanian lineage are further revealed. The decision to narrate the stories in the first person betrays its limitations when Jack recounts events he wasn't privy to, with captions along the lines of, "I was told later this is what happened..." Groan. The team-up with Tigra in Giant-Size Chillers # 1 is dreadful, but historically important in that it's the comic where Greer Nelson first assumes her furry alias. 

Werewolf by Night is consistently entertaining if you venture in with expectations low. A tendency towards goofy, '70s occultism certainly helps. Artistically, it's mostly well served by the Eisner-esque stylings of Mike Ploog, making his professional comics debut (though inker Frank Bolle absolutely murders his pencils in issue 6), Tom Sutton and Gil Kane, who definitely draws the scariest, most feral-looking version of our furry protagonist. The combined 'efforts' of Werner Roth and Paul Reinman in issue # 8 are abject hackery, and from issue # 17 onwards it's Don Perlin ushering in a dark age of artistic mediocrity.


Marvel Spotlight (1971) # 2-4, Werewolf by Night (1972) # 1-19, Tomb of Dracula (1972) # 18 and Giant-Size Creatures (1974) # 1 are collected in:

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Werewolf by Night (1972) # 1 is collected in:

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Werewolf by Night (1972) # 15 and Tomb of Dracula (1972) # 18 are collected in:

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Giant-Size Creatures (1974) # 1 is collected in:

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Saturday, 3 December 2016

Secret Origins (1986) # 15, Deadman (1986) # 1-4


(I originally read these comics in early July 2016)

These comics are the latest in my chronological read-through of Deadman's solo adventures, and the first 'post-Crisis' stories to feature the character.

The limited series is a great, if wordy, read by Andy Helfer (heretofore known as an editor) and Jose Luis Garcia-Lopez. (Man, can he draw!) The story does its best to fix the inherent limitation of the character, that being, once undead spirit Boston Brand, former circus aerialist, had tracked down and brought his own killer to justice, where else did he have to go? Helfer deftly succeeds in giving him a whole new mission. The plot's actually pretty involved and full of mystical mumbo jumbo, so I won't go into detail. The 'Secret Origins' issue came a year after the conclusion of the series but seeing as it re-tells Deadman's origin in the new, post-Crisis continuity, I opted to read that first. The Spectre origin tale in that issue is by Roy Thomas and Michael T. Gilbert and is passable.

I did intend to plough straight on with the Deadman limited series by Mike Baron and Kelley Jones, starting in 1989, but it appears the character first had a long run of stories in Action Comics Weekly and as yet I have none of those.


  
 


Secret Origins (1986) # 15 and Deadman (1986) # 1-4 are collected in:

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Sunday, 16 October 2016

The Mighty Thor (1966) # 447-459


(I originally read these comics in mid December 2015)

Behold! - the conclusion of Tom DeFalco's and Ron Frenz's five and a half year-run on Thor!

Most of the long-running plots are wrapped up here, and those that aren't I presume are concluded in the spin-off comic 'Thunderstrike' (which I'll get to reading soon). Architect/reluctant hero Eric Masterson is still endowed with the power of Thor and Thor's essence is still prisoner of Mephisto - or is it? Meanwhile, all is not right in Asgard as it becomes obvious Odin is not quite himself. It transpires that after being 'killed' in issue # 432, Loki has been inhabiting Odin's body and plotting to take over Asgard (the usual, then). Of course, Thor is eventually found and returned to his rightful status as Scion of the Golden Realm, but not after Thor's paramour Sif has begun to fall for Eric! The agony! BUT WHERE DOES THIS LEAVE MR. MASTERSON, I hear you ask. I'll tell you: in possession of a newly-forged hammer and retaining the power of Thor as new hero 'Thunderstrike'! New villain Bloodaxe (Ghost Rider Without a Bike. ...Ghost Pedestrian?) is causing trouble back on earth - but who is he? Considering his identity goes unrevealed in these issues, I guess that little mystery will be resolved in the pages of Thunderstrike. I can't wait!!

The four-part 'Citizen Kang' crossover by Roy Thomas and Mark Gruenwald is dire, with (flavour of the month) Rob Liefeld-inspired art by Herb Trimpe to match. Sad to see the '70s Hulk artist extraordinaire having to stoop to that to remain employed.

All in all this has been an enjoyable Thor run, though too often derailed by line-wide crossovers (which I'll have to remember to skip on a second read). It's not in Walt Simonson's league, but what is? These are solid, old school super-hero comics and I'd give the run as a whole a comfortable 7 out of 10.


   
   
  
  
  


Captain America Annual # 11, Thor Annual # 17, Fantastic Four Annual # 25 and Avengers Annual # 21 are collected in:

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The Mighty Thor (1966) # 457-459 are collected in:

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Saturday, 15 October 2016

'Operation: Galactic Storm' (1992)


(I originally read these comics in mid December 2015)

Carrying on with my read-through of early '90s Thor with 'Operation: Galactic Storm,' a nineteen-part crossover comprising all the Avengers and related titles. (The final three issues here form an epilogue.)

The story concerns the Avengers' attempts to defuse a war between the Kree and the Shi'ar races. They split into three teams, two of which are dispatched to the Kree and Shi'ar homeworlds, with the third remaining behind to hold the fort. The Shi'ar have built a 'Nega-Bomb,' which is later stolen by Skrull agents who have infiltrated the Shi'ar council and have been working to escalate the conflict with the intention of wiping out their long-term enemies, the Kree. 

The story is notable in that (SPOILERS), despite their best efforts, the Avengers fail. The bomb is indeed detonated, wiping out 98% of the Kree race. 

Space opera isn't my thing... I found this mostly entertaining but overlong. Thor only gets two chapters, so I'm eager to get back to the title proper.


   
   
   
   
  
  


Captain America (1968) # 398/399, Avengers West Coast (1989) # 80/81, Quasar (1989) # 32/33, Wonder Man (1991) # 7/8, Avengers (1963) # 345/346, Iron Man (1968) # 278 and The Mighty Thor (1966) # 445 are collected in:

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Iron Man (1968) # 279, The Mighty Thor (1966) # 446, Captain America (1968) # 400/401, Avengers West Coast (1989) # 82, Quasar (1989) # 34-36, Wonder Man (1991) # 9 and Avengers (1963) # 347 are collected in:

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